Component | Mechanism(s) | Outcomes | Specific outcome measures |
---|---|---|---|
COGNITIVE ENGAGEMENT | |||
Attend to conductor, music, and fellow singers; being flexible, organizing materials | Cognitive stimulation, brain | Attention/executive function | • Trailmaking test |
• NIH Toolbox Flanker | |||
Learn and recall new music (lyrics, melody, pitch, and rhythm) | Cognitive stimulation, brain | Verbal learning and memory | • NIH Toolbox Rey Auditory Verbal Learning test |
PHYSICAL ENGAGEMENT | |||
Stand and sit, move to rhythm of songs | Balance, body strengthening | Lower body strength, balance, falls | • SPPB Chair stands |
• NIH Toolbox Standing Balance | |||
• Self-reported falls | |||
Stand and sit, move to different parts of room, breathe deeply to sing | Stamina | Walking speed | • NIH Toolbox Gait Speed |
PSYCHOSOCIAL ENGAGEMENT | |||
Singing feels good, is uplifting, is intrinsically pleasurable and emotionally meaningful | Reduce depressive symptoms and anxiety, increase positive emotions | Emotional well-being | • PHQ-8 |
• NIH Toolbox Sadness | |||
• NIH Toolbox Positive Affect | |||
• NIH Toolbox Fear Affect | |||
Build social network, make new friends | Increase sense of belonging and social support, decrease feelings of loneliness | Social support, loneliness | • NIH Toolbox Loneliness |
• MOS Social Support | |||
Somewhere to go, regular activity | Something interesting to do | Interest in daily life | • NIH Toolbox Apathy |
Taking on new challenges, mastering new skills with practice over time | Improve sense of mastery, increase confidence | Self-efficacy | • NIH Toolbox Self-Efficacy |